Jacek Yerka - Psychedelic painter

Look what have i found!
JACEK YERKA PSYCHEDELIC PAINTER - it's a side with hundreds of psychedelic, surrealistic Images painted by Jacek Yerka (Guy from Poland).
My favourite is:

Terence McKenna - The food of Gods

As i promised i put the video of great philosopher Terence McKenna. He was one of the
heir of psychedelic philosophy (you know beatnics Kesey, Burroughs, Kerouac). This is few quotes, but it is most interesting theory i have ever heard. Enjoy. Rest in Peace Terence:

"If we comes from monkeys, just say it, they were on drugs!"

"You are an explorer, and you represent our species, and the greatest good you can do is to bring back a new idea, because our world is endangered by the absence of good ideas. Our world is in crisis because of the absence of consciousness."

"A hallucination is a species of reality, as capable of teaching you as a videotape about Kilimanjaro or anything else that falls through your life."

Allen Ginsberg - Howl part III

I will upload today a great philosopher theory about evolution which was catalyzed because of psychedelic mushrooms and other hallucination-plants. But now, you can read the last part of Ginsberg poem - Howl. Enjoy it.


Allen Ginsberg - Howl part III

III

Carl Solomon! I'm with you in Rockland

where you're madder than I am

I'm with you in Rockland

where you must feel strange

I'm with you in Rockland

where you imitate the shade of my mother

I'm with you in Rockland

where you've murdered your twelve secretaries

I'm with you in Rockland

where you laugh at this invisible humour

I'm with you in Rockland

where we are great writers on the same dreadful typewriter

I'm with you in Rockland

where your condition has become serious and is reported on the radio

I'm with you in Rockland

where the faculties of the skull no longer admit the worms of the senses

I'm with you in Rockland

where you drink the tea of the breasts of the spinsters of Utica

I'm with you in Rockland

where you pun on the bodies of your nurses the harpies of the Bronx

I'm with you in Rockland

where you scream in a straightjacket that you're losing the game of actual pingpong of the abyss

I'm with you in Rockland

where you bang on the catatonic piano the soul is innocent and immortal it should never die ungodly in an armed madhouse

I'm with you in Rockland

where fifty more shocks will never return your soul to its body again from its pilgrimage to a cross in the void

I'm with you in Rockland

where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the fascist national Golgotha

I'm with you in Rockland

where you will split the heavens of Long Island and resurrect your living human Jesus from the superhuman tomb

I'm with you in Rockland

where there are twentyfive thousand mad comrades all together singing the final stanzas of the Internationale

I'm with you in Rockland

where we hug and kiss the United States under our bedsheets the United States that coughs all night and won't let us sleep

I'm with you in Rockland

where we wake up electrified out of the coma by our own souls' airplanes roaring over the roof they've come to drop angelic bombs the hospital illuminates itself imaginary walls collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is here O victory forget your underwear we're free

I'm with you in Rockland

in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night

Allen Ginsberg - Howl part II

As i promised i show you second part of Ginsberg's poem, named Howl. This part is even more great than first one. I cant stop to read vers by vers, and once again. Sweet 60's :)

Allen Ginsberg - Howl II

What sphinx of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks!

Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men!

Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of sorrows! Moloch whose buildings are judgement! Moloch the vast stone of war! Moloch the stunned governments!

Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb!

Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long streets like endless Jehovas! Moloch whose factories dream and choke in the fog! Moloch whose smokestacks and antennae crown the cities!

Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen! Moloch whose name is the Mind!

Moloch in whom I sit lonely! Moloch in whom I dream angels! Crazy in Moloch! Cocksucker in Moloch! Lacklove and manless in Moloch!

Moloch who entered my soul early! Moloch in whom I am a consciousness without a body! Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in Moloch! Light streaming out of the sky!

Moloch! Moloch! Robot apartments! invisable suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to Heaven which exists and is everywhere about us!

Visions! omens! hallucinations! miracles! ecstacies! gone down the American river!

Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!

Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies! Despairs! Ten years' animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time!

Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the street!

Allen Ginsberg - Howl part I

Ok, here we go. I just read Ginsberg poem named Howl. This is manifest from Beatnics, to all 60's generation. You must read it if you want to know more about psychedelic 60's.


Allen Ginsberg Howl

For Carl Solomon

First I from III

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

dragging themselves through the negro streets at dawn looking for an angry fix,

angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,

who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz,

who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated,

who passed through universities with radiant eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war,

who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,

who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening to the Terror through the wall,

who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York,

who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos night after night

with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,

incomparable blind streets of shuddering cloud and lightning in the mind leaping towards poles of Canada & Paterson, illuminating all the motionless world of Time between,

Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine until the noise of wheels and children brought them down shuddering mouth-wracked and battered bleak of brain all drained of brilliance in the drear light of Zoo,

who sank all night in submarine light of Bickford's floated out and sat through the stale beer afternoon in desolate Fugazzi's, listening to the crack of doom on the hydrogen jukebox,

who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the Brooklyn Bridge,

a lost batallion of platonic conversationalists jumping down the stoops off fire escapes off windowsills off Empire State out of the moon

yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars,

whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the Synagogue cast on the pavement,

who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of Atlantic City Hall,

suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-withdrawal in Newark's bleak furnished room,

who wandered around and around at midnight in the railway yard wondering where to go, and went, leaving no broken hearts,

who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in grandfather night,

who studied Plotinus Poe St John of the Cross telepathy and bop kabbalah because the universe instinctively vibrated at their feet in Kansas,

who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian angels,

who thought they were only mad when Baltimore gleamed in supernatural ecstasy,

who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight streetlight smalltown rain,

who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to Africa,

who disappeared into the volcanoes of Mexico leaving nothing behind but the shadow of dungarees and the larva and ash of poetry scattered in fireplace Chicago,

who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes sexy in their dark skin passing out incomprehensible leaflets,

who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism, who distributed Supercommunist pamphlets in Union Square weeping and undressing while the sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also wailed,

who broke down crying in white gymnasiums naked and trembling before the machinery of other skeletons,

who bit detectives in the neck and shrieked with delight in policecars for committing no crime but their own wild cooking pederasty and intoxication,

who howled on their knees in the subway and were dragged off the roof waving genitals and manuscripts,

who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,

who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and Caribbean love,

who balled in the morning in the evenings in rosegardens and the grass of public parks and cemeteries scattering their semen freely to whomever come who may,

who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish Bath when the blond & naked angel came to pierce them with a sword,

who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit on her ass and snip the intellectual golden threads of the craftsman's loom,

who copulated ecstatic and insatiate and fell off the bed, and continued along the floor and down the hall and ended fainting on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the morning but were prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and naked in the lake,

who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in empty lots & diner backyards, moviehouses' rickety rows, on mountaintops in caves or with gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station solipsisms of johns, & hometown alleys too,

who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and picked themselves up out of basements hungover with heartless Tokay and horrors of Third Avenue iron dreams & stumbled to unemployment offices,

who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the East River to open full of steamheat and opium,

who created great suicidal dramas on the appartment cliff-banks of the Hudson under the wartime blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of the Bowery,

who wept at the romance of the streets with their pushcarts full of onions and bad music,

who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in their lofts, who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded by orange crates of theology,

who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish,

who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable kingdom,

who plunged themselves under meat trucks looking for an egg,

who threw their watches off the roof to cast their ballot for an Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade,

who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried,

who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality,

who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free beer,

who sang out of their windows in despair, fell out of the subway window, jumped in the filthy Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and threw up groaning into the bloody toilet, moans in their ears and the blast of colossal steamwhistles,

who barreled down the highways of the past journeying to each other's hotrod-Golgotha jail-solitude watch Birmingham jazz incarnation,

who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had a vision to find out Eternity,

who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who watched over Denver & brooded & loned in Denver and finally went away to find out the Time, & now Denver is lonesome for her heroes,

who fell on their knees in hopeless cathedrals praying for each other's salvation and light and breasts, until the soul illuminated its hair for a second,

who crashed through their minds in jail waiting for impossible criminals with golden heads and the charm of reality in their hearts who sang sweet blues to Alcatraz,

who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain or grave,

who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their hands & a hung jury,

who threw potato salad at CCNY lecturerson Dadaism and subsequently presented themselves on the granite steps of the madhouse with the shaven heads and harlequin speech of suicide, demanding instantaneous lobotomy,

and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy psychotherapy occupational therapy pingpong & amnesia,

who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,

returning years later truly bald except for a wig of blood, and tears and fingers, to the visible madman doom of the wards of the madtowns of the East,

Pilgrim State's Rockland's and Greystone's foetid halls, bickering with the echoes of the soul, rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a nightmare, bodies turned to stone as heavy as the moon,

with mother finally *****, and the last fantastic book flung out of the tenement window, and the last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted on a wire hanger on the closet, and even that imaginary, nothing but a hopeful little bit of hallucination—

ah, Carl, while you are not safe I am not safe, and now you're really in the total animal soup of time—

and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the use of the ellipse the catalog the meter & the vibrating plane,

who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soulbetween 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

to recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm of thought in his naked and endless head,

the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say in time come after death,

and rose incarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the suffering of America's naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities down to the last radio

with the absolute heart of the poem butchered out of their own bodies good to eat a thousand years.

You can read another II and III on this side:

http://www.wussu.com/poems/agh.htm

Bob Dylan - Mr. Tambourine Man

Mr. Tambourine Man info:

"Mr. Tambourine Man" is a song written and performed by Bob Dylan, which was released on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that was released as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their first album, Mr. Tambourine Man. The Byrds' recording of the song was influential in initiating the musical subgenre of folk rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.

This song has been covered by many artists, including Judy Collins, Odetta, Melanie, and William Shatner. The song's popularity led to Dylan recording it live many times, and it has been included in multiple Dylan and Byrds compilation albums. It has been translated into other languages, and has been used or referenced in television shows, films and books.

The song has a bright, expansive melody and has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singer's muse, a reflection of the audience's demands on the singer, and religious interpretations. Dylan sings the song in four verses, only one of which was used for The Byrds' recording. Dylan's and The Byrds' versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stone's list of the 500 best songs ever. Both versions also received Grammy Hall of Fame Awards.

First Psychedelic Band - VANILLA FUDGE

Finally i found this gig record. This band is firs which played psychedelick rock and roll. They are great! If you wanna read about them. It is good start to learning about psycho-rock.


VANILLA FUDGE biography

Stein and Bogert played in a local band called Rick Martin & The Showmen and were so impressed by the sound of The Rascals (swinging and floods of organ) that they decided to form their own band with Martell and Rick Martin's drummer, Joey Brennan. Originally calling themselves The Pigeons, they changed the name to Vanilla Fudge in 1966, after the replacement of Brennan by Appice. A recording of the Pigeons was released in Germany in 1973 under the title of 'While the World was Eating Vanilla Fudge'. The group was then "discovered" and managed by reputed Luchese crime-family member, Phillip Basile, who operated several famous L.I. clubs — the Action House, Speaks, Channel 80, Industry — three of which were the same club (on Austin Boulevard, in Island Park, New York) with different names.

They had a number of popular songs, their biggest being their hit cover of "You Keep Me Hangin' On", a slowed-down, hard rocking version of the song originally recorded by The Supremes. This version also featured Appice's energetic drumming. One follow-up to this hit, "Take Me For A Little While", had a quite different lyric message from the former.

The members of Vanilla Fudge were great admirers of The Beatles, and covered several of their songs including "Ticket to Ride", as well as "Eleanor Rigby". The self-titled debut album quotes "Strawberry Fields Forever" at the end, with the line "there's nothing to get hung about".

Their rendition of "Bang Bang (My Baby Shot Me Down)" was featured in the 2007 film Zodiac.

On March 14, 1970, Vanilla Fudge played a farewell concert at the Phil Basille's Action House. After that, Bogert & Appice departed to form another group, Cactus (In 1972, they left Cactus and formed Beck, Bogert & Appice with guitarist Jeff Beck). Stein, left on his own, tried to keep the group going with two new players, Sal D'Nofrio (bass) and Jimmy Galuzzi (drums) (both of whom had been members of a Poughkeepsie, New York group known as 'Dino & The Cavemen'). But when nothing came from this, Stein ended up forming a new group, Boomerang, instead with Galuzzi.

Following the band's breakup in 1970, the band has reunited several times. In 1982, they reunited in support of the Atco Records release, Best of Vanilla Fudge. This resulted in another album of fresh material in 1984 called Mystery. Martell was not included in this initial reunion and Ron Mancuso played guitar on Mystery instead, along with Jeff Beck, who guested under the moniker "J. Toad". Two reunion tours followed in 1987/1988. with Paul Hanson on guitar. Lanny Cordola was guitarist when the band took the stage on May 14, 1988 for the Atlantic Records' 40th Anniversary Celebration. After that, the individual members went their separate ways once again to pursue other projects.

In 1991 Appice revived the Vanilla Fudge name for a tour with former Ted Nugent's player Derek St. Holmes (guitar, vocals), Martin Gerschwitz (keyboards, vocals) and Tom Croucier (bass, vocals), which resulted in the album The Best Of Vanilla Fudge - Live.

Then, in 1999, three of the originals (Appice, Bogert & Martell) reunited with vocalist/organist Bill Pascali replacing Mark Stein to record a "greatest hits" album, Vanilla Fudge 2001/ The Return / Then And Now, with all new recordings of previous songs and three new songs. 2002 had bassists Pete Bremy and T.M. Stevens subbing on bass for an ill Bogert and 2003 saw a release of Vanilla Fudge's live album, The Real Deal - Vanilla Fudge Live, recorded on tour in 1987 with Paul Hanson on guitar. Martell overdubbed his guitar and vocals later. That same year (2003) the group toured with Teddy Rondinelli standing in on guitar for Martell.

In 2005, Vanilla Fudge reformed with all the original members for a tour with members of The Doors (now touring as Riders On The Storm) and Steppenwolf. Pascali returned in place of Stein for some 2005 and 2006 shows before leaving to join the New Rascals.


The band then went back into the studio to record Out Through the in Door, a Led Zeppelin cover album released in 2007 only in Europe. Led Zeppelin had opened for the band in 1968-1969. The band performed "You Keep Me Hangin' On" for the PBS fundraising program My Music: My Generation - The '60s for the March 2008 pledge drive.
Out Through the in Door was released in the U.S. in 2008.

In the spring of 2011, Vanilla Fudge embarked on what was announced as their farewell tour. The lineup for the tour was: Carmine Appice, Mark Stein, Vince Martell and Pete Bremy(bass).

Top 10 Biggest and Best Jumps Ever

Well, this guys are crazy, the squirrel man almost died. What an adrenaline! The last one is suprize, space-jump? Are you fu*ing kidding me? epic and psychedelic thing. :)

Trip movie - Let's Smoke Dope

I just saw this movie once again. This is all about Tripping. Set & Settings. Irracional laugh. Everything is beautyfull, sometimes scarry. You see hobbits from Tolkien stories. Fractals. I can't discribe this :) You can see what i'm talking about when you see this movie.

The Byrds - Wasn't Born to Follow

I just watched Easy Rider movie. There is very nice song called Wasn't Born to Follow played by The Byrds.. Anyway, i feel very happy because of this movie and song. Another great movie is Trip with Peter Fonda. Do you like this movies too?

The American Metaphysical Circus - The United States Of America

Ladies and Gentelmans i lurk for more psychedelic songs and guess what? I found this one :) This one is second greatest psychedelic song in history. You Americans doing great job!

The Rolling Stones - Paint in black

I hope everyone heard about one of greatest band in history of Rock'? Listen this song and start to listening them if you never heard.. It is classic. :)

CLEAR LIGHT - Black Roses

I love this band, why i didn't live at 60' ?? When you hear it you will be smile all day, it's very positive music my friends :)
SO LET THE BIRDS SING

Kaleidoscope

I woke up and first i do was listening this song. Amazing. This is funny because I am fun of Psychedelic rock, but i record Rap songs.

The Velvet Underground Heroine

"Velvet Underground & Nico" are at 8th place in 100 Greatest Psychedelic Songs ever. Everyone should listen the Heroine track. Be carefull with this drug.

ZEITGEIST MOVING FORWARD

YOU MUST SEE THIS! Oh my, it change your view for world. Open eyes for a different view.

Jefferson Airplane - Somebody to love - White rabbit (live at Woodstock)

Jefferson Airplane biography!

Jefferson Airplane's debut show was on August 13, 1965 at the Matrix nightclub in San Francisco. The first performance featured Marty Balin on vocals, Paul Kantner on vocals/rhythm guitar, and Jorma Kaukonen on lead guitar. Signe Anderson, (who sang on Jefferson Airplane's first recording "Jefferson Airplane Takes Off') also performed. The bass player, Jack Casady and drummer Skip Spence, (who was later one of the original members of Moby Grape) joined the band two months later. Spencer Dryden became the drummer in June of 1966 and Grace Slick joined as vocalist in October of 1966. The band performed the first concert for Bill Graham at the legendary Fillmore Auditorium in San Francisco in February of 1966.

Jefferson Airplane performed at the Berkeley Folk Festival, Monterey Jazz Festival, Monterey Pop Festival, Woodstock, and Altamont. They had hit singles White Rabbit and Somebody to Love, from the album "Surrealistic Pillow". They were on the cover of Life Magazine in 1968. The band co- headlined with the Doors in Europe in the summer of 1968. Many legendary bands opened for the Airplane: Grateful Dead, Santana, The Doors, Jimi Hendrix, Creedence Clearwater Revival, The Who, Janis Joplin, Steve Miller, and many others.

The band was inducted into the Rock and Roll Hall of Fame in 1996.

Grateful Dead

I like to lurk for more psychodelic bands. Is it not great?

10 coolest psychedelic rock songs

Where are Doors? hmmm still great! :)

Kaliber 44 - Psychodelic Rap from Poland

Let's listen some psychorap from my country :)

800 views! 100 follows!

I am glad to see this statistics my brothers and sisters! Thanks for watching my music blog :)

Allman BROTHERS band

Allman BROTHERS band biography

Formed: 1969 in Macon, Georgia
Years Active: 1969 - 1976, 1978 - 1982, 1989 - to present
Group's Main Members: Duane Allman, Gregg Allman, Richard 'Dickie' Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson, Chuck Leavell, Lamar Williams, Warren Haynes, Allen Woody

The Allman Brothers Band have sure had their share of ups and downs throughout the years. The band was formed by guitarist Duane Allman after a short spell as a session man for several artist including Aretha Franklin and Wilson Pickett. Duane had first been in a few bands with his brother, vocalist and keyboardist Gregg Allman. They first formed a garage rock n roll band called the Escorts in 1966, they then became a blues band and were called the Allman Joys. After that they formed a soul group called Hour Glass in '67 and recorded and released two albums. Even though these albums got good reviews they didn't sell and the band broke up in '68. After his gig playing sessions, Duane formed the Allman Bros. in 1969 with fellow guitarist Richard 'Dickie' Betts, bassist Berry Oakley, and two drummers, Butch Trucks and Jai Johanny Johanson. But the band was in need of a lead singer and after several months Gregg agreed to join the rest. They then signed a record deal with Capricorn records.

Their first album, a blues, country rock album, The Allman Brothers Band, got great reviews but at first didn't sell so well. One song on the album, "Whipping Post" would later become one of their most loved live numbers for years to come. Around the time of the first album's release, the bands' sound was being defined on the road as they would play long jams and were an instant draw. Their next album released in 1970, Idlewild South, also got great reviews and sold better. A stronger album than the debut, it also contained a few more soon to be concert favorites, leading the way with the songs "Midnight Rider" and "In Memory of Elizabeth Reed". 1971's early summer release of the double album Live At The Fillmore East, would turn out to be considered one of rocks best ever live albums. It highlighted the great guitar interplay between Duane and Betts, also some great slide guitar by Duane and powerful vocals from his brother Gregg. Included on the album was an extended version of "In Memory of Elizabeth Reed" and two twenty minutes jams, the cover tune "You Don't Leave Me" and "Whipping Post" which timed out just short of 23 minutes.

Unfortunately with the band at its peak, just three months after Fillmore East was issued, tragedy struck on October 29 1971. Duane was badly injured in a motorcycle accident with a truck. He refused any treatment and returned to his home where he died a couple of hours later. The band was working on their next album when the accident occurred and finished it up as a five piece band with Betts taking over the rest of the lead guitar parts. The album was titled Eat A Peach, consisted of live and studio material including the live 33-minute "Mountain Jam" (based on Donovan's "There Is a Mountain"). On the album's cover was a drawing of an old peach truck with one mammoth peach, this in memory of Duane, who once stated that he would "eat a peach for peace" as an anti-war statement.

The Allman Brothers never replaced Duane's guitar, but did add a second pianist, Chuck Leavell to their lineup. Then one year and 12 days after Duane's accident, tragedy struck again as Oakley was also killed in a chillingly similar motorcycle accident, just a few blocks from where Duane had his. The band had just started work on their new album with the song "Ramblin Man" being Oakley's last contribution. They recruited bassist Lamar Williams to take his place. The resulting album, Brothers And Sisters, released August 1, 1973, was a bit more mellow and country sounding with Betts playing all the lead and slide guitar parts and singing more lead vocals on the album too. A good album but still not as strong as the other ones were, yet it still went to number one on the charts and "Ramblin Man" was a hit single reaching number two on the single's chart.

At this point Betts was the band's new leader.Drugs were also taking over the lives of most of the band's members with Gregg overdosing on two occasions. By '75 all of the band's members had done outside projects which was affecting what was left to record when they returned to the studio and recorded Win, Lose or Draw. The whole band wasn't even in the studio for most of the album's work with Gregg living in Hollywood with his new wife, Cher. His vocals were recorded over there, away from the rest of the band. The album was a major bust and got poor reviews. The Allmans broke up in 1976 following a notorious drug trial in which Gregg testified against a former road manager who had once saved his life after one of his overdoses. It was that or go to jail for Gregg and he squealed like a pig. The other band members quit the band in protest and vowed never to work with him again.

But time is great in healing wounds (so is a lot of money, too) and in 1978 a reconstituted band was formed with Allman, Betts Johanson and Trucks. Dan Toler was brought in as second guitarist. Leavell and Williams (who would later die of cancer in 1983) stuck to their guns and refused to join, and Johanson would be gone by '81. 1979's Enlightened Rogues was a commercial success for the group but the next two albums released weren't and the band broke up again in 1982.

A new incarnation of the band appeared in 1989 with a line-up of Allman, Betts, Warren Haynes on slide and lead guitar, Allen Woody on bass, Johnny Neel on keyboards, Trucks still on drums and Mark Quinones on percussion. The reunion turned out a credible release: Seven Turns which sold well and got great reviews. Neel left after that and their next album Shades Of Two Worlds was also well received. In 1994 they met up with their old producer Tom Dowd again to put out another decent album Where It All Begins. Today they are still a major draw and still put on great shows that sell out. Their old material still sells great some 30 years later and they are still one of the most respected rock acts of their era.

Damian Marley - confrontation

Hej brothers and sisters, did you heard about Damian son of Marley?
Is he not a legend? Damn he is great one, when BOOOM comes into track i'm shakeing :)

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